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- Written by: Giovanni "Gio" Pilato
2015 had been already a very successful year for the British singer/songwriter Sean Taylor, thanks to the big popularity that his album The Only Good Addiction Is Love gave to him in the United Kingdom and many parts of Europe.
The pressure coming by delivering the follow-up of that album must have been a lot to take on board for this young artist but that was not certainly Taylor's case. A highly gifted lyricist, the British Troubadour had already tested with his audience, in the last couple of years and whilst touring, some of the material that he intended to release on his next album but at that time, Taylor had not yet made up his mind about the direction that his sound was going to take on the new record.

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- Written by: Giovanni "Gio" Pilato
Our website has not, very often, come across to artists of such an age like Quinn Sullivan that, at 17, has got already a decade of intense music activity behind him. Blessed by the cream of the music industry (B.B. King and Buddy Guy, among others) and labelled as the next giant of blues music to come, it must have not been easy to carry such pressure lately for somebody that, although blessed with enormous talent and great experience like Quinn Sullivan, still remains, after all, a seventeen years-old young man.

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- Written by: Giovanni "Gio" Pilato
German guitarist extraordinaire Michael Schenker must be feeling himself pretty good lately. His latest project Temple Of Rock doing remarkably well and last year’s successful live album have clearly helped to infuse Schenker's musical DNA with a new found enthusiasm, in a career span close to reach 5 decades of hard-rock militancy of the highest level.
Schenker has heavily contributed, through the years, to keep the hard-rock genre alive and kicking through a series of inspired musical projects like Scorpions, UFO, Michael Schenker Group and McAuley Schenker Group, amongst others.
Read more: Michael Schenker Fest Live - Tokyo International Forum Hall A

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- Written by: Giovanni "Gio" Pilato
A record born as a devoted homage to her mother. This is certainly one of the many ways to look at the Ohio-native Lisa Biales brand new album, called The Beat Of My Heart.
In a career span as a solo artist that started back in 1999, at the time that Biales worked on her first album called Music Box, there were already clear signs back then of the talent and class of the American singer as the next Rising Star in the music industry. Now at her 9th solo album, Biales has not just fulfilled the expectations of critics and music fans as one of the most talented performers worldwide but she has also, through her new record, managed to achieve something that this wonderful artist wanted to do for quite some time. Biales has always secretly loved to merge classic and contemporary styles in her music by making an album made of songs of fellow artists she always loved and respected. The inspiration to finally reach this musical goal came from the finding of a 78-record, a very old album that was recorded in 1947. The album contained a song called Crying Over You, written and performed by her mother, Alberta Roberts, whose vocal delivery sounds nowadays as strong, passionate and vibrant as it was 70 years ago.

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- Written by: Giovanni "Gio" Pilato
There are times when you put a record on and, within minutes, you immediately fall in love with it. The love then grows as the tracks run through the Hi-Fi and you find yourself in an uplifted spirit, grateful to the art of music to allow you to receive a bucket of emotions in one, big, intense shot.
These are the feeling that Yours Truly felt by listening to a record that has come out some time ago last year in 2016 called Rain, by one of the most eclectic and talented group of musicians around, Lew Jetton & 61 South.
Robert Lewis Jetton is one of those people that you don't really know whether to envy because of the bags of skills he owns as a singer, songwriter and guitarist or just love unconditionally because in front of such craftsmanship, you just have to bow and enjoy the music.

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- Written by: Giovanni "Gio" Pilato
Sometimes you have to hit the ground really hard to understand and appreciate who you are, where you come from, what you have and what you can be. When, back in 2009, prodigy guitarist, singer and songwriter Eric Gales was detained in prison for possessions of drugs and a weapon, the world must have fallen on the American artist's shoulders like a ton of bricks. That was a time in which Gales regained, during his detention, the will to be not just a better person but also to learn to focus on what Mother Nature had gifted him with, his enormous talent as a musician.
Almost 8 years along the line and Gales has now fully embraced this new-found philosophy of life. The 2011 album Transformation had shown already very promising signs of an artist willing to claim again full music royalty through a well-crafted record but his brand new album, Middle Of The Road, pushes definitely and very deservedly Gales right back to the olympus of music business.
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- Written by: Giovanni "Gio" Pilato
Love is an extraordinary gift in every sense of the word. When English artists Simon Campbell and Suzy Starlite got married in 2014, their union wasn't just simply a natural combustion of two loving souls but also the union of two very talented musicians with one, big passion in common: the Blues.
After working very hard in the last 24 months on writing and recording over 60 songs, the two artists finally managed to put together their debut album as Starlite Campbell Band, called Blueberry Pie.
It's an album that shows many interesting sides of these two fine musicians. Comprising eleven original tracks, Blueberry Pie is a record that shows the great versatility of both Campbell (Vocals, Guitars and Percussion) and Starlite (Bass, Vocals) as songwriters, as well as singers too.
Supported by two impressive musicians like Steve Gibson on Drums and Percussion and Jonny Henderson on Hammond Organ and Wurlitzer Piano, Starlite and Campbell offer an eclectic collection of songs, with a definite blues/rock imprint that goes back to a late 60's, early 70's era.
