Roxanne De Bastion - Live At St. Pancras Old Church
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- Written by Giovanni "Gio" Pilato
2022 has been a highly successful year for the British/German singer/songwriter Roxanne De Bastion. The unanimous praises received from the English and European music press and from old and new fans for her latest studio album You & Me, We Are The Same, has brought this young and highly talented artist to the attention to wider and wider audiences, thanks also to an extensive amount of Tour dates, where De Bastion was also the Support Act for very big names of the music industry, like the Synth/Pop Master Howard Jones, among others.
De Bastion's aforementioned latest studio album has been and still is one of the highest points to date in the musical career of the London-based troubadour artist and the way that the crowds have increasingly embraced the sometimes minimalistic but highly effective sonic approach, inspired songwriting and vocal intensity of De Bastion, since her 2017 debut album called Heirlooms & Hearsay up until now, it is hugely impressive.
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DeWolff - Love, Death & In Between
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- Written by Giovanni "Gio" Pilato
Every artist feels the concept of Music in different ways and releases his/her own interpretation of it according to their inner instinct or, perhaps, by compromising their musical skills and their vision with what can be seen as a contemporary sonic trend or the latest "Hip" kind of sound.
Thankfully, the multi-faceted Rock and Soul Dutch collective DeWolff belongs to the first category of the aforementioned artists, a band that keeps pushing their musical boundaries on each passing record towards a musical greatness that they have most certainly achieved through their brand new album called Love, Death And In Between.
Lambert - All This Time
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- Written by Giovanni "Gio" Pilato
The German minimalist piano composer has always been, since his debut album of 2014, a very talented but also an enigmatic artist very difficult to specifically pigeonhole in a defined genre.
From Classica to Jazz, both layered with fragments of Electronica and even Rock, Lambert has always loved to maintain an open door, in his next projects, due to his idea of letting free-form piano music breathing of its own accord, without having to stick to specific sonic requirements.