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- Written by: Bluebird
Barnaby Saints don't give up and neither do I. They wanted me to hear their music, and I don't let a song fall through the gaps of any inter-net pavement. This folk and bluegrass band is a breath of fresh everything.
From Their Biography:
Barnaby Saints are a Los Angeles based group that fuses a mix of bluegrass, gospel, indie rock and layered harmonies. Described in one review as " the lovechild of Edward Sharpe and the Magnetic Zeroes and The Devil Makes Three," the band fuses old folk story telling with lush vocals, banjo, dobro, and swelling B3 organ to create a unique soundscape. With a debut EP recorded in June 2011, the band has garnered positive reviews, played great shows, toured on the west coast, and enjoyed performing music together. With a new album and fall tour in the works, Barnaby Saints is looking forward to a full year and more good times.
This EP was self-produced by Barnaby Saints, along with Scott Coslett and Todd Berman, mixed by Scott Coslett and Todd Bergman and mastered by Peter Barker.
Track by Track
Over and Over- The fast running sound is upbeat, while the fiddle follows its own path. The voices are blended with drums that don't overwhelm the song. The lyrics are wise and easy to relate to, making sense of the pace of time and repetition, which often we can not avoid.
Bones- The strong rhythms and harmonies reminded me of Ha Ha Tonka, my favorite folk band from the Ozarks. Facing life and death with courage, there is hope in circular things. Picking guitar and tambourine offer a very different sound from their first song, with poignant categories of phrasing, this track has some power behind it. I'd love to see and hear this played live. It will be a clapping foot stomper for sure!
Half The Time- The acoustic and clear vocal lead is a great opener to this song. This tune reminded me of "Coming Home' by Langhorne Slim, but the Saints have more production and instruments behind this tune. The sound is clean, romantic, breezy and youthful.
Tennessee- Dreamy, expansive, reaching, yearning, hopeful.
Washing Me Down- Whistling effects, banjos with harmonies, add a country vibe, to what could be a raw version of a Fleetwood Mac sound, who happened to incorporate a lot of folk and blues into their music. I just saw Lindsey Buckingham , and his entire take on music after all of this time, is that the 'the little machine vs. the big machine' comparison needs to be made constantly, to keep life in the recording industry balanced.
Waiting For Day- We get a little organ leading the group to a sing along with a gospel elevation. The high notes shine with inclusiveness, the fiddle floats.
Blue Winter- This could be a popular radio song. It has a modern singer-songwriter acoustic feel to it, but then moves into the bluegrass form. Barnaby Saints know what they play best and they stand up for it.
This record just fits into exactly what you'd expect from a contemporary folk band and is recommended to any collector of this genre, but it would also be an easy addition to those of us who are new to this song form. It is harmonic, warm, accessible and demonstrates understated talent. The production and arrangements bring out the best in these musicians, when blending their accomplishments as a group. My only critique is that they get their names out to the public, to get more credit for their work!
Meet Barnaby Saints:
Drums ~ Anthony Lopez
Bass ~ Frank DiVanna
Organ ~ J.T. Thomas
Upright Bass ~Tom Freund
Fiddle ~ Aubrey Richmond
Support your favorite artist through buying their music:
http://itunes.apple.com/us/artist/barnaby-saints/id512253119
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- Written by: Bluebird
Natchez Trace
This album was arranged, recorded, engineered, produced, and mixed by Kevin Bowe.
Release Date: 2012.
My discovery of Kevin Bowe's work came directly from Randy Abramson 's website, Rock Torch.The site interviews rock musicians and asks them who they would recommend the readers listen to, in terms of new music or unearthed gems. They follow a wide range of musicians from many genres, and I stumbled across an article on Alex Chilton after he died. I am a huge fan of the Replacements, Paul Westerberg, Grandpa Boy, and anything else that Westerberg wants to call his music.
Corresponding with Kevin Bowe to set up this review has been a privilege. Picking up a guitar at 13 years old, he is in this business for the love of the music and the good life. And what is the good life? Not necessarily being famous, but having the joy of writing for, and playing music with, his 'heroes'. He toured and recorded with Paul Westerberg, and they co-wrote the song, "Everybody Lies." He also recorded with Etta James, Johnny Lang, The Meat Puppets, Kenny Wayne Shepherd, Lynyrd Skynyrd, Leo Kottke, Three Dog Night and dozens of other artists. With this expanse of recording and touring history from Bowe, I had instant respect for his experience. After just a slight amount of research, I learned that this Minneapolis writer, producer and guitarist, has scored 3 Platinum records, and written songs on two Grammy award winning albums, while working with Paul Westerberg.
This current record, "Natchez Trace" is all his own, with contributions from Paul Westerberg, Freedy Johnston, Chuck Prophet, Tim O'Reagan (Jayhawks), Nels Kline (Wilco) and Scarlet Rivera (Dylan/Desire).
Read more: Kevin Bowe and the Okemah Prophets: Natchez Trace
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- Written by: East Chapman
Review by East Chapman
I met Chris Ross briefly after a benefit concert in Bangor, Maine, on the Fourth of July 2012. It was well worth the wait in a hard seat and enduring the other acts to see him play. Suffice it to say, that my first listen made me want to hear more.
Ross is a singer-songwriter from Coastal Maine with a voice made for acoustic guitar, more dirt road than gravel, never sliding off to twang, and sharply honest . The studio arrangements on The Steady Stumble are often sparse, showcasing his writing talent. In a very informal email exchange, I asked Ross how he writes. He shared, “I've done almost all of my writing in the winter months, after dark, by the woodstove. I wrote The Steady Stumble in a 3 month period in the winter of 09/10 after an extra shitty breakup.” I had to smile – all that heartache was over one breakup?
When asked about musical influences, he listed several, including Springsteen, The Band, James Taylor, Gregg Allman, as well as contemporaries Jason Isbell and Dawes. Often compared to Ray LaMontange, Ross shared “Ray LaMontagne changed my life the first time I heard him. I was already a lifetime fan before I ever knew he had Maine connections. He's my John Lennon.”
I saved the CDs Ross gave me for a few days until I could sit down and really listen and let them seep in. I knew I’d want to squeeze the ache out of them. If you like an artist capable of singing to your memories, your sensibilities, and taking you along a journey of vignettes, listen up.
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- Written by: Bluebird
Co-written by Carolyn Bryant.
Paul Simon: The Graceland 25th Anniversary Collector's Edition Box Set
The long history of Paul Simon's music career continues. From Queens, NY, there is no other singer-songwriter like him. His warm smooth voice has been unique and recognizable since the 1950's. With his friend Art Garfunkel, they took on the music world at age 16. From note one in "Hey Schoolgirl," (1957), to the lyrical hymn, "Bridge Over Troubled Water," (1970), and the street anthem, "Me and Julio Down By The Schoolyard," Simon and Garfunkel became icons of folk-rock music world.
Read more: Paul Simon: The 25th Anniversary of Graceland, Collector's Edition.
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- Written by: Bluebird
Counting Crows
Album Review: Underwater Sunshine
Berkeley, CA
Underwater Sunshine is a timeless record that connects current and past music history through the favorite listens of the band. The Counting Crows are so skilled that they've made good song choices to evolve these tracks into their own. They've also challenged themselves and raised the bar a bit on some attempts, which is great for an experienced Counting Crows listener, and a fun jaunt for a newcomer. With tracks originally from The Faces, The Pure Prairie League, Gram Parsons, Bob Dylan, Big Star and others, this is a great addition to any acoustic rock fans' collection and an interesting walk down obscure memory lane for a record collector. ~Bluebird
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- Written by: Bluebird
Jason Anderson
I came across Jason Anderson's music three years ago. My best music friend made me a mix tape of his favorite indie and pop songs for that year. I was driving from NYC to New England, and it started snowing along the NYS Thruway. On this January day, I was listening to the CD, track by track, when suddenly the opening riffs of Jason Anderson's, July 4, 2004 (From The Hopeful and The Unafraid) came on. The song's direct guitar work, descriptive imagery in the lyrics, and real to life story evolution was nothing like I'd ever heard. I kept replaying the song, bellowing loudly to "Oh Ja-son are you still wai-ting..." and "WHOA-Oh-Oh!" Three listens via repeat and I was skidding toward the guardrail ...
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- Written by: Bluebird
Read more: Doug Ratner and The Watchmen: Lessons Well Learned