Album Reviews

Joey Pratt of Card Stock: Heavy Things With Strings

Review by Bluebird.

Joey Pratt of Card Stock Heavy Things with Strings.  

I enjoyed the new album from Joey Pratt, Heavy Things With Strings, right away. It reminded me of Justin Vernon's band, Bon Iver, which I loved, even before their first gathering of Grammy nominations and wins this year.

He is going by the new name, Card Stock, because his music is turning out to be 'conceptual'. My first response to hearing Pratt's work was 'Hooray!" Hooray for indie music and soulful folk, blues acoustics without the fanfare. Hooray for beautiful vocals and carefully placed bridges with echos that stay with you long before the track is done. Then I settled in to write about Mr. Pratt's album. I really listened to the lyrics, arrangements and instrumentals. I decided that I better use more serious tones to explain this record, because there is no glossing over its meaningful impact.

Peter Gabriel writes music that he thinks is not only good to hear, but an agent of change which will invoke a shift in what the listener comes away understanding, given the topic. I had this playing in the house and the themes Pratt evokes, plus some of the interesting tones he calls up, reminded me of Gabriel's music, similar to the US album and his recent classical renditions of past works.

Released February 18, 2012

Recording and Mixing: Joey Pratt

Final Mixing: Joe Visciano

Mastering: Noah Lefebvre

Album Art: Joel Kutylowski

 heavythingswithstrings

Track By Track:

1. Bricks.

Fireworks. "Not much for talking, but rings love like a bell." The cello and whistle lends a dreamy send off to open this album. It tells a story of connection and separation. Fellow New England native, Jason Anderson sings of July 4th 'sparks' as well. Pratt lets the listener tie the edges of the narrative together.

2. Tracy.

Just a moment or so, of cello and bellowing vocals toward ambivalent reasoning. Onward.  

3. Father.

The questions of God and humanity are laid out for the critique. "Awkward waiting room conversation, turns to gossip." "If God comes back, you'd say, how could you screw things up?" "I was only gone 5 minutes, isn't it enough that I made you? Now I've got to fix all your problems ... "

4. Stems.

The basics of loss are underlying this bare acoustic.

5. In Memory.

Brighter chords open this track, "I remember loving you like weekends." What a great lyric. The frailty of the human condition to disease is quickly added to the story.

6. Parade.

Why do I compare so many artists to Paul Westerberg? "You're the only one who wants you to leave." Pratt's quick quips and guitar strumming in this track bring out a punk side. Love when folk and punk share an edge.

7. A Brief Thought.

Piano pieces come through, "Hold my place while I float away."

8. Sleep Song.

This opens with a voice recording of 'Dottie' on an answering machine. How sad and honorable. "Breathe it in like magic, sticks to you like a magnet." It has the impact of "I Grieve" by Peter Gabriel. Similar to the theme of loss released to joy, "All the love in the world is waiting for you." In our sadness, we can move toward the realization of life carrying on in some other way.

And yes, finally say a soft, 'hooray' for the music that rides beside us.

Additional Album Information:

Look for Joey Pratt's music under the name, "Card Stock," because music is 'an idea' as well as a sound.

Many thanks from Joey Pratt to 'NoiseCollector' for the special addition to Sleep Song.

Heavy Things with Strings was recorded in Nottingham, NH at the Pratt House and Portsmouth, NH in The Music Closet. For a deluxe version with a 26 minute documentary 'Making Music' and bonus songs, contact This email address is being protected from spambots. You need JavaScript enabled to view it.

 

 

 

Out On The Tiles

Sean Taylor - Live At The Old Ford Inn, Aldershot, UK

                                                                                By Giovanni "Gio" Pilato

 

sean taylor

 

There are places, scattered around the globe, where local people believe so much in music or any other forms of art that they are prepared to go all the way to make it possible. Those are the places that keep the spirit of music, any music, alive and kicking. One of these places is The Old Ford Inn, a pub in the army town of Aldershot, UK, that has hosted wonderful evenings of blues and folk music and tonight, they have managed to bring in one of the best British artists of this generation, Sean Taylor.

Sean is currently touring his latest album, The Only Good Addiction Is Love (reviewed previously here on Bluebird Review) and this evening he is going to perform an intimate, acoustic gig for the local fans before embarking his European Tour.

The venue might be small but the intensity of the performance that the young artist from London carries in his voice and his guitar, almost hypnotize the crowd throughout the whole 70-minutes set. Taylor travels across his whole discography during the acoustic set but personally, I felt the performance reached its pinnacle through two of the tracks on Taylor's new album, The Only Good Addiction Is Love and Bad Light. The purity of Taylor's voice is a rare jewel to find in nowadays' music scene and when he sings, one can feel that he means every word he sings about.

Sean Taylor does not forget the lessons of his music heroes and throughout his set, he pulls out of his magic hat three splendid covers, Hard Time Killing Floor Blues by Skip James, Sixteen Tons by Merle Travis and the powerful Freedom, by Richie Havens, with which the singer/songwriter concludes his concert.

A concert made of class, elegance, simplicity and great artistry at the same time. For one night only, the people of Aldershot felt like a star fell from the sky and shone in their gardens for a little while. That star is called Sean Taylor.

 

Sean Taylor Tour

 

 

 

 

 

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